1/2/2023 0 Comments Gta punjab cheat codes for pc
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1/2/2023 0 Comments Mac os airdrop![]() Then select Allowed apps and hit the slider next to AirDrop. Note: If you only view Receiving Off and can’t change it, go to Settings then, Screen Time then, Content and Privacy Restrictions. You can turn AirDrop off at any time by choosing Receiving Off. If you select Everyone, any Apple device in range can transfer files to your device. If you choose Contacts Only, you will only get files from people in your Contacts list. If not, you can turn them both on from here by tapping their respective icons.įinally, pick who can send files to your device. Note: From here, you can determine if your WiFi and Bluetooth are turned on. You will see the WiFi signal that looks like three curved lines in a blue circle in the upper-left corner of your screen. If you have an older iPhone, you can open the Control Center by swiping up from the bottom of your screen. ![]() You can do this by swiping down from the top-right corner of your screen on an iPhone X or a newer model.
1/2/2023 0 Comments Tiny piano playerBoth are still active performers, leading by example and, it seems, channeling the creative spirit of Cage. Margaret Leng Tan and Wendy Mae Chambers both have a direct line to John Cage. In the toy’s short history, you don’t have to look far to find inspiration and a way forward. But have we been able to reach “the outside world,” as he puts it? Or is the community still as insular as it was in 2005? And does it matter? I think Gann would agree that the little instrument has come a long way in the fourteen years since his address. Since Cage’s Suite, repertoire for the instrument has grown tremendously, thanks in large part to festivals like The Annual Toy Piano Festival at UC San Diego (2000-present), UnCaged Toy Piano in NYC (2008-2017), The Florida International Toy Piano Festival (2015-2018), Non-Piano/Toy Piano Weekend in Hamburg, Germany (2014-present), and the recent 100-Note Toy Piano Project (2018-19) that have at their core a call for scores. What we can’t seem to do with it, though, is communicate to the outside world, the world outside our composing circles, that there’s been a repertoire of toy piano music now for 57+ years. We use it because we can … and thanks to Cage, there is precedence for taking it seriously. We have more reasons than ever to use the toy piano. His concluding lines, especially, sound almost like an admonition:Īfter a century of expanding possibilities, we find ourselves in a world of limitations – some of them self-imposed, others imposed against our will. The rather serious, somber tone of the address makes me uneasy. ![]() On November 5, 2005, Kyle Gann gave a keynote address at The Extensible Toy Piano Project at Clark University, Worcester, MA. This narrative is about exploring those relationships and connecting the dots in this maximalist miniaturist’s field. The making of this album owes much to that community, to the people and experiences I encountered along the way. Like an annoyingly cloying ex, the toy piano refused to let me go, coming up with new tricks and shiny things that reeled me back in. Not only by the instrument itself, but by the limitless creativity it promised, the untethered freedom of experimentation it allowed, the audience response to it, and a community the toy had woven around itself, ever tighter and wider and richer every year. At some point, I just had to admit that I was hooked. Like an annoyingly cloying ex, it refused to let me go, coming up with new tricks and shiny things that reeled me back in. Those years were an on-and-off relationship, with the toy pulling me back each time I thought I was done with it. What’s fascinating to me looking back at the slow, meandering making of this album, is how tenuous yet persistent my interactions with the instrument were. Nine years and ten pianos later, I’m preparing a CD release show for Toy, NakedEye Ensemble’s latest album on New Focus Recordings (2019), with music focused on – yes – the toy piano. I hadn’t planned on using it much after the engagements were over. I thought the mahogany and black toy piano wouldn’t look too out of place as a piece of decoration in my apartment after I was finished with it. I subsequently became involved in more Cage events at home and abroad, performing Music for Amplified Toy Pianos, Sonatas and Interludes, and many other works. ![]() In a way, the newness of the experience helped me transition from a city that I loved and had been reluctant to leave, to one I thought was quaint but wouldn’t hold me for long. It was my first time playing the instrument. I bought a small Schoenhut 25-key spinet and performed Cage’s Suite for Toy Piano in 2010 in Lancaster, PA, where I had moved from New York City. Even now, 70+ years since John Cage’s seminal Suite for Toy Piano from 1948, the toy piano still feels like Duchamp’s upside-down urinal ( Fountain): out of place on stage, it elicits giggles and scoffs, is the star of the show, and at least promises a memorable experience, musical and otherwise. It has nothing to hold you back, to tell you you’re doing it wrong it exists only in the present and looks to the future. It has no musical baggage, no weighty historical performance practice, no standard repertoire. It’s the accidental instrument that was never meant to see anything but oncoming erratic toddler movements it was never meant to feel anything but the thumping of tiny fists and grubby fingers. The toy piano is an avant-garde musician’s dream. |
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